These 4 films by Taapsee Pannu, lesson for society in each film

Taapsee Pannu can be counted as an actress who has made herself a different and special place in the crowd. Coming from the non-cinematic Delhi family, this girl decided to go to Mumbai via Hyderabad and Chennai to become a hero. There are many back-to-back movies in Taapsee’s career where she is seen as a hero. She can be called the best female-oriented actress along with Vidya Balan and Kangana Ranaut. He has achieved this position in Hindi cinema for his own tremendous performance.

Those who watch Taapsee’s films in the current era, when they watch his first action films in Telugu and Tamil Masala, it is understandable how long and complicated he has gone through. Today, Taapsee, who carries movies on her shoulder, was a showpiece in the South as a hero. Haseen Dilruba is his new latest movie. Mystery thriller. Although it also stars Vikrant Massey and other actors, Taapsee is the center of the story. Naturally another movie geared towards the Bollywood heroine.

Taapsee Pannu on the Haseen Dilruba poster.

He previously made films such as Pink, Mulk, Manmarziyaan, Thappad, and Naam Shabana. In these, the heroines are the main ones in the story. But attention has also been drawn to other complexities and realities of society. These films are also like milestones in the history of Bollywood cinema. Well, these movies have given Taapsee a lot of recognition. You must see them once.

1. Rosa (2016)

Pink exposes the shoddy thinking of Indian society about women: “A woman who smokes cigarettes with men or wears short clothes is always ready to sleep with someone.” Your character cannot be killed just for the reason that a girl drinks alcohol. If a woman is someone’s wife, friend, girlfriend, or if she’s a sex worker, her doesn’t mean no. No one has the right to force her. Pink can be preserved in the best Bollywood court drama movies. His story was written by Shoojit Sircar. Directed by Aniruddha Roy Chowdhury. Amitabh Bachchan also played an important role alongside Taapsee.

2. Manmarziyaan (2018)

The film, directed by Anurag Kashyap, is a very unconventional film in terms of the Bollywood love triangle. A girl loves a boy beyond the limits of the body. The boy also loves her equally, but he is not ready for marriage. The girl marries someone else. The boy is not used to living without the girl. Manmarziyaan is the love story of the metropolis that is being built in the current era, where the values ​​of love are changing. It will be difficult in the times that come to judge the love of boys or boys in established structures. In reality, this is the story of the future of our new emerging urban society, where marriages are performed according to the wishes of the family, but often not as the family had imagined before marriage. What society may not be prepared to digest.

3. Mulk (2018)

By the way, actually, Mulk is not a female-oriented movie. In reality, the film shows political-administrative discrimination on religious grounds. How an entire family is labeled a traitor and terrorist just because they are Muslim. You cannot put your entire family and your society in the dock for anyone’s mistakes. Taapsee is a lawyer married to a Muslim family. Defend the family in court. The motive for the movie is clear: instead of becoming a better Hindu and a better Muslim, one should become a better person. The film was directed by Anubhav Sinha. Aside from Taapsee, Rishi Kapoor played the lead role.

4. Thappad (2020)

Actually, the slap asks men – what is the existence of the wife in the world of the husband, to publicly slap. This film would have narrated the pain of thousands and millions of domestic women, who were crushed like a mauling bull day and night and accepted the world of the husband as their own, why the personal frustration only in the wives? And what is your limit? A woman’s self-esteem cannot be covered by family and social values. When a woman’s self-esteem is low, nothing else matters in her life. How long will a woman’s desires and honor be crushed by being repressed by moral values? Anubhav Sinha has directed the painful history of domestic women.

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